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  1. Thanks 4 the add! u r so sexy! i love making porn too we can do business or share something;)

  2. What sort of nazi or anime roleplay did you have in mind?

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Bryn Pryor. Making a documentary is a bit like putting together a puzzle without knowing what the damned thing is supposed Adult adult adultdvdonlinestore. net cheap cheap dvd dvd look like. To give it some structure, you start at the edges, but you have to assemble a lot of pieces before the final picture reveals itself.

Like any other genre, porn has produced some extraordinary, well-crafted and even important films, and we set out to prove it. A difficult task, sure, but a fairly straightforward narrative. However, as we got deeper into shooting, and especially when I starting assembling the movie, we realized what we had actually created was a shorthand history of the modern adult industry.

I directed four ultra-low budget features for Roger Corman, and I thought we worked fast and cheap, but once you start digging around behind the scenes, you realize no one — absolutely no one — works harder, faster or cheaper than porn crews. That incredible pressure to constantly do more for less has led to adult filmmakers pushing the envelope to squeeze the last ounce of production value out of every dollar.

In the beginning of the theatrical era, the choices were simple. You shot flat 35mm, and if you were short on production cash, you looped Teen fucking black man the audio in later.

Home video changed the entire paradigm. The first ripples of the VCR shockwave were felt on the distribution side as movie theaters saw customers slipping away into the comfort of their own homes. People kept shooting film, but once the primary target became home video rather than theaters, 35mm became a very rare animal, replaced by 16mm. A few years later, video cameras had Adult adult adultdvdonlinestore. net cheap cheap dvd dvd up with players.

They were expensive, and the quality was terrible, but they offered instant playback and blank tape was a helluva lot less expensive than film stock. Also, there were no lab fees, editing was quicker and cheaper, and there was no telecine to get the movie onto tape. For a long time, porn studios cranked out lousy movies as fast as tapes could be duplicated. Quality plummeted, but sales soared, thanks largely to well-photographed, misleading Adult adult adultdvdonlinestore.

net cheap cheap dvd dvd. Eventually, consumers began voting with their wallets, demanding something better inside the pretty box.

Some companies began shooting occasional films on 16mm as prestige projects. Others invested in higher-quality video equipment, like digi-beta cameras.

The adult industry got back to making movies, and doing the best they could with the little resources they had. This led to some great movies that still stand up creatively, but have aged badly for various reasons. Porn became so entrenched in VHS that other formats were ignored, to their own detriment.

A handful of adult titles were released on LaserDisc, but it remained a videophile format. But when DVD came along, the adult industry took notice in a big way. At roughly the same time, directors rushed to embrace Mini-DV cameras for production. It seemed like magic. Studios loved having the opportunity to sell all their old catalog titles all over again.

For new productions, DVD Adult adult adultdvdonlinestore. net cheap cheap dvd dvd them some additional features to charge extra for Adult adult adultdvdonlinestore. net cheap cheap dvd dvd as commentary tracks and multiple angles. The seamless branching ability inherent in DVD programming allowed for virtual reality adult discs; essentially, a first-person POV choose-your-own-adventure film.

Hollywood never really took advantage of these DVD features, but porn exploited them from day one. When HD rolled out, some of the very first productions to shoot Hi-Def were adult. Today, the production innovation all rests on the shoulders of the directors and videographers rather than the companies.

The rampant piracy and ubiquity of the internet era has changed the face of the porn industry forever. Contemporary XXX shoots make the average student film look expensive and over-staffed. A crew of three with a handful of lights and a 5D MkIII do the best they can to adapt and overcome, shooting hour days in unpermitted locations. It makes me glad that our little documentary outgrew its bounds to become something more. But maybe there are still pieces of the puzzle waiting to fall into place.

Director Bryn Pryor tells us how his documentary not only chronologically captures achievements in filmmaking by the adult industry, but it also documents the evolution of filmmaking technology and its early adoption and application by pornographers.

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